She met Carleton by chance a day or two later, as she was entering the office. “I want to see you,” he said; and took her up with him into his room. “The Editor insisted upon it,” she explained. “It was worth it for the opportunity it gives me. I preach every Sunday to a congregation of over a million souls. It’s better than being a Bishop. Besides,” she added, “the men are just as bad. You see their silly faces everywhere.”!

“Couldn’t you get enough money together to start something quickly,” she continued, the idea suddenly coming to her. “I think I could help you. It wouldn’t matter its being something small to begin with. So long as it was entirely your own, and couldn’t be taken away from you. You’d soon work it up.” “Thanks for the compliment,” she said. “Though I notice you wait till you’re going away before telling me.”

She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. Miss Tolley had chanced upon a Human Document, with the help of which she was hopeful of starting a “Press Controversy” concerning the morality, or otherwise, of “Running Waters.” The secretary stood just behind her, taking notes. They had drifted quite close. Joan could not help overhearing. “What do you mean,” asked Joan. “Didn’t she wish it?”